Aesthetics and Art Theory

Paper Code: 
VHA 122
Credits: 
4
Contact Hours: 
60.00
Max. Marks: 
100.00
8.00
Unit I: 

History of Indian Aesthetics- The Scope, Historical perspective and Evolution of the Dramatic Art, Natyashastra, Its Meaning and Aim.

10.00
Unit II: 

Rasa: Types of Rasa and their aesthetic experience, Rasa Theory as Aesthetic object, Bharata’s conception of Rasa, Constituents of Rasa and their relation: Vibhava, Anubhava, Vyabhicharibhava; Bhava and Stthayibhavas.

14.00
Unit III: 

Commentators on the Natyashastra: Bhatta Lollatta’s practical point of view, his theory and Criticism and objections on his theory, Bhatta Shankuka’s Psycho- Epistemic approach to the problem of Aesthetics,  Bhatta Nayaka’s theory.

14.00
Unit IV: 

Dhvani: History of Dhvani,

Mahima Bhatta: Introduction, Attitude towards Dhvanikara, Theory of Kashmir Saivism, Theory of Aesthetics, Conceprtion of Rasa as a reflection of a Sthyain

Abhinava Gupta: The Meaning of Rasa, His explanation of the omission of “Sthayin” in Bharata’s definition of Rasa.

Ananda Vardhana : Dhvanyaloka

14.00
Unit V: 

Shadanga: Six Limbs of Painting by Abanindranath Tagore

Vishnu Dharmottar Purana: Contribution of Chitrasutra of the Vshnu dharmottar purana to Ancient Indian Aesthetics.

Interrelationship of Visual and Performing Art taking examples from illustrative Geet Govind, Sursagar and Rasika Priya

References: 

Books:

  1. Comparative Aesthetics, Prof. Dr. Kanti Chandra Pandey, The Chowkhamba Sanskrit series, Studies Volume II
  2. Mukund Lath, ‘Bharata and the finr art of mixing structures’ in Bahuvachana: An occasional of the arts and ideas, K.B. Vaid, J. Swaminathan and Asik Vajpeyi, Bharat Bhawan, Bhopal.
  3. Concept of Rasa and the foundations of Indian Aesthetics in Bharata” in Anupa Pande, Historical and Cultural study of the Natyashastra.
Academic Year: 
2017-2018
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