COMPOSITION I (Practical)

Paper Code: 
25DVAS604
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to execute a 3D work going through the whole process of armature building, clay modeling, mold making, casting, and finishing. They will be able to execute real or implied textures and surface handling according to their ideas.

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies 

Course Code

Course Title

25DVAS604

Composition I 

(Practical)

CO44:  Compose layouts and maquettes of artworks that enable self-expression, their understanding of themselves and aesthetics to adapt to expressing through art.

CO45: Prepare a portfolio by showcasing the global industry process of sculpture making. Exemplify different techniques of armature building, mold making, casting in various mediums, and then finishing the surfaces.

CO46: Create  compositions displaying the  proportion, and anatomy of the chosen form to build a sculpture that is capable of communicating the thoughts of the students, their ethics, human values, and environmental approach. 

 

CO47: Defend the understanding of all the properties of art like proportion, emphasis etc by rethinking, arguing and validating their voice as an industry-ready global artist. 

CO48: Contribute 

effectively in course-specific interaction

 

Approach in teaching:

Interactive Lectures, Discussion on composition subjects, Tutorials, Videos, Demonstration, Reading assignments.

Learning activities for the students:

Sketching, lay out, Self-learning assignments, Effective questions, presentation, Giving tasks, Field practical, handling of various material and mediums of art.

Layouts and Sketches,Continuous Assessment Test, Semester End Examinations,Daily Assignments,Observation,Student Teacher Interaction and Final Submissions

COURSE CONTENT:

Individual or group compositions (Figurative) based on specific subjects suitable for execution in fiber.

 

SUBMISSIONS:  3 compositions

20 layout and drawing

5 sketches per day

 

Essential Readings: 
  1. Sculpture, designed by Baseline Co Ltd, Grange Books
  2. Ian Dawson, Making Contemporary Sculpture, Crowood Publication

Suggested Readings: 

  1. Modern Art, Flame Tree Publishing, UK , 2005
  2. A. K. Sharma, Sculptural Art of Sirpur, B. R. Publishing Corporation
Academic Year: