Drawing (Practical)

Paper Code: 
24VAG124
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to create personal style by using knowledge about elements of art like line, texture and using it for making composition for different mediums of printmaking. Develop knowledge about layouting along with concepts and application of principle of composition in making work for printmaking, which will help to create more accurate work either it’s natural-looking or abstract. Develop a sense to display their art work in an applicable way.

 

Course Outcomes: 

Course

Learning Outcomes (at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

 

24VAG124

 

 

 

 

 

 

 

 

 

Drawing (Practical)

CO15: Develop a habit of daily sketching which constructs their perception of expressing their culture and environment.

CO16: Model and assemble line based composition on various techniques and textures according to the composition.

CO17: Justify and defend their own style considering the political or environmental issues they choose.

CO18: Contribute effectively in course-specific interaction

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstratio n.

 

Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks.

Layouts & Sketches, Continuous Assessment Test, Semester End Examination s, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

COURSE CONTENT:

Submission: 05 Line based composition in Lino/ Wood/ Etching/ Lithography (Size: 12”x18”)

50 sketches

 

Essential Readings: 
  1. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004
  2. Adhemer, Jean Graphic Art of 18th Century.
  3. Sattler, Oliver Modern Japanese Prints
  4. Hind, A.M, An Introduction to a History of Woodcut
  5. Mueller, H.A WoodCut and Wood Engravings and How I make them

Suggested Reading:

  1. Bernard, David, The Collograph Print
  2. Arthur Hind, A History of Etching and Engraving
  3. Heller, Jules, Printmaking Today
  4. Adhemer, Jean Graphic Art of 18th Century.
  5. A Fern, A Half Century of American Printmaking
  6. UmetaroAzechi, Japanese Woodblock printing.

 

References: 
  1. https://www.tate.org.uk/art/art-terms/m/mezzotint
  2. https://www.google.com/search?q=Mezzotint+tools&sa=X&ved=2ahUKEwiHk6 Sy1vb-AhWG- jgGHZTCugQ1QJ6BAhOEAE&biw=1024&bih=497&dpr=1.88#fpstate=ive&vld=cid:a80ae10b,vid:rpbt6tjjjZE
  3. https://www.dailyartmagazine.com/seven-indian-printmakers/
  4. https://journals.indexcopernicus.com/api/file/viewByFileId/288083.pdf
  5. https://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1159&conte... m

 

Academic Year: 
2024-2025
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