Course Objectives:
This course will enable the students to-
Course |
Outcomes (at course level) |
Learning and teaching strategies |
Assessment Strategies |
|
Paper Code |
Paper Title |
|||
VAG 421 |
History of printmaking (Far Eastern)
|
The students will be able to-
CO58: Interpret deep understanding of the history of China and Japan in context to different dynasties. CO59: Develop skills to appreciate Far Eastern artist’s work considering its subject, style and techniques. CO60: Critically analyze major periods, artists, methods and theories in their historical and cultural settings. CO61: Demonstrate effective knowledge of visual vocabulary required for conducting dissertation.
|
Approach in teaching:
Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration. Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks. |
Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission. |
History of print making in China.
Contribution of the artist in printmaking in China (after 19th century) Li Hua , Hao Boyi ,Chen Yuqiang ,Hao Ping.
History of print making in Japan.
Ukiyo –E Woodcut print making and Kabuki Theater how to influence on printmaking and its artists: Katsyshika Hokusai, Moronobu, Utagawa Hiroshige, Kitagawa Utamaro, Toyokuni II, Toshusai Sharaku
Contemporary artist in China and Japan: Wang Yuhui, Liu Chuahai, Zhang Yogqing, Tom Kristense, Paul Binni, Yuki Hiratsuka.
Books