History of Western art (medieval) (Theory)

Paper Code: 
VAA 402
Credits: 
2
Contact Hours: 
30.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to:

  1. Achieve an understanding of western art movements.
  2. Develop an effective knowledge of visual art vocabulary through extensive reading of art works done by artists of western world.
  3. Learn and demonstrate extensive learning on varied techniques and skills used by western artists and be able to apply these techniques and skills in their respective works in the practical class
  4. Analyze about cathedrals.

 

COURSE OUTCOMES

 

Course

 Course Outcomes

Learning And Teaching Strategies

Assessment Strategies

Paper Code

Paper Title

VAA 402

 

 

 History Of Western Art (Medieval)

 

(Theory)

 

 

 

The Students Will Be Able To-

CO68:  Interpret An Understanding Of The History Of Western Art In COntext To Its Isms And Will Be Able To Do Historical And COntextual Analysis Of Works Of Art.

 

CO69: To Interpret And Critically Analyze Art Works Done In The Medieval Period Of Western Art.

 

CO70: Trace The Evaluation Of Art Works In Historical Perspective.

 

CO71: Detecting An Effective Knowledge Of Western Art Terminology Appropriate For A Career In Visual Arts In Western Part Of The World.

 

 

Approach In Teaching:

Interactive Lectures, Discussion, Tutorials, Reading Assignments, Demonstration.

Learning Activities For The Students:

Self-learning Assignments, Effective Questions, Presentation, Giving Tasks.

 

Semester End Examinations, COntinuous Assessment Test, Sketching, Layouts Class Test, Quiz, Solving Problems In Tutorials, Assignments, Presentation, Individual And Group Projects, Regular Submission.

 

 

6.00
Unit I: 

Byzantine Art: Art and architecture-Church St. Vitale Ravenna (Mosaics: Emperor Justinian and his Attendants, Empress Theodora and her Attendants), Hagia Sophia Istanbul, St. Mark’s Church.

Iconoclasts and Iconophiles

 

 

6.00
Unit II: 

Romanesque Art: Sculpture, Painting, Architecture: Notre-Dame de Reims (Erected between 1211 and 1516), Paray-le-Monial (built from the 12th century) France, The Cathedral of Saint Lazarus of Autun(began in 12th century).

 

6.00
Unit III: 

Gothic Architecture: Architect Abbot Suger, General characteristics and components of Churches and Cathedral (Stained glass windows, Choir, Pulpits, Altarpieces)

Gothic Sculptures– Jamb Statues of Chartres Cathedral, Death of Virgin in Strasbourg Cathedral, Annunciation and Visitation in Reims Cathedral, The Virgin of Paris Notre- Dame, The Kiss of Judas and Crucifixion in Naumburg Cathedral, The Pieta

Gothic paintings

6.00
Unit IV: 

The Early Renaissance artists and their works

 

 

 

6.00
Unit V: 

The High Renaissance: Painters, Sculptors, Architects and their works

Leonardo Da Vinci (The Christ, The Mona Lisa, The Last Supper, The Vitruvius Man, The Adoration of the Magi, The Virgin of the Rocks, The Annunciation)

Michelangelo (The Biblical description on Sistine Chapel and the Fresco technique, The Last Judgment, The Pieta, David, the Moses)

Bramante (Architect)- Santa Maria presso San Satiro, Santa Maria delle Grazie

Titian (A fresco of Hercules, Virgin and Child, fresco of Assunta, (The Venus of Urbino, The Rape of Europa The Allegory of Age Governed by Prudence)

Giorgione (The Tempest, Sleeping Venus, Castelfranco Madonna, The Three Philosophers, The Allendale Nativity/Adoration of the Shepherds, The Test of Fire of Moses, The Judgment of Solomon)

Raphael (Drawings, The School of Athens, Mond Crucifixion, Brera Wedding of the Virgin, Coronation of the Virgin, Saint George and the Dragon, The Madonna of the Meadow, Deposition of Christ)

 

 

References: 

BOOKS RECOMMENDED

  • Janson's History of Art : The Penelope J.E. Davies, Walter B. Denny Western Tradition.
  • Art: A World History : Elke Linda Buchholz, Susanne Kaeppele
  • The Renaissance: A Very Short Introduction :  Jerry Brotton
  • Art of Renaissance Florence :  Scott Nethersole
  • The Story of Art : Cambrich,E.H.
  • Herbert Read, A concise history of modern painting, Thames & Hudson, 1967 reprint
  • H.H. Arnason, A History of Modern Art, Thames & Hudson, 2001 Revised reprint
  • David Britt, Modern Art, Thames & Hudson, 1989 reprint
  • Douglas Cooper, The Cubist Epoch, Phaidon & Los Angeles County Museum, 1971
  • John Golding, Cubism — a history and analysis (1907 – 1914), Faber & Faber, 1968 reprint
  • John Elderfield, The “Wild Beasts”: Fauvism and its affinities, MOMA, 1976
  • Pontus Hulton,  Futurism & Futurisms, Thames & Hudson, 1987
  • Renata Negri, Matisse & the Fauves, Lamplight Publishing Inc., 1975
  • Pierre Schneider, Matisse, Thames & Hudson, 1984
  • William S. Rubin, Dada, Surrealism & their heritage, MOMA, 1968
  • Gaeton Picon, Surrealism 1919-1939, Skira, 1977
  • Pierre Daix (text), Picasso – the Cubist years 1907-1916, Thames & Hudson, 1979
  • John Elderfield, The cut-outs of Henri Matisse, Thames & Hudson, 1978
  • Norbert Lynton, Klee, Hamlyn, 1975
  • Frank Whitford, Kandinsky, Paul Hamlyn, 1987
  • Piet Mondrian 1872-1944, (Centennial exhibition catalogue), Solomon R. Guggenheim Museum, 1971
  • L.J.F. Wijsenbeek, Piet Mondrian, Studio Vista Ltd., 1969
  • Albert E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, Phaidon Press, 1974/78
  • Mary L. Leukoff, Rodin in his time, Thames & Hudson & Los Angeles County Museum, 1994 Franco Russoli (intro), Henry Moore: Sculpture, Editiones Poligrafa, 1981

 

 

 

 

Academic Year: