MODELING (COMPOSITION IN ROUND) (Practical)

Paper Code: 
25VAS332
Credits: 
4
Contact Hours: 
60.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to generate a practical experience of working with larger quantity of materials in clay to interpret the chrematistic features of organic forms such as a birds, animals, human beings, plants and other environmental objects through structure, proportion, texture. Compose a 3D work of art using two or more forms to execute in casting.

 
Course Outcomes: 

Course

Course Outcomes 

Learning and teaching strategies

Assessment Strategies 

Course Code

Course Title

25VAS 332

Modeling (Composition in Round)

(Practical)

CO7:   Develop Maquettes and layouts to create movement and rhythm between two or more forms constructing an aesthetically pleasing composition using various tools, methods and material.

 

CO8: Prepare submissions displaying the developed skill and understanding of a 3D composition on armature with building, sculpting, molding, and finishing.

 

CO9:   Create sculpture displaying an understanding of anatomy of the chosen forms in the composition to justify the attained skill and learning throughout the session.

 

CO10:  Justify her attained skills of composition and medium developed by arguing and answering questions in viva-voce in front of an expert.

 

CO11:   Contribute effectively in course-specific interaction

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Assignments, Brainstorming, Demonstration

Learning activities for the students: Self-Learning Assignments, Giving Tasks, Visualization, Experimenting, Sketching to Learn, Free Exploration, Focused Exploration

One Annual Practice Test, Daily, Layouts, Assignments, Observation, Student Teacher Interaction, Display and Final Submissions  

COURSE CONTENT:

Composition based on studies from the nature & environment.

 

Submissions: 2 sculptures

 
Essential Readings: 
  1. Nicholas de Oliveira, Installation Art, Thames & Hudson
  2. Modern Art, Flame Tree Publishing, UK , 2005

 

Suggested Readings:          

  1. Roy C. Craven, Indian Art - revised edition, Thames & Hudson

 

 
Academic Year: