PRINTMAKING (Practical)

Paper Code: 
CVAP 505
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to-

  1. Handle different printmaking materials of Lithography and Etching.
  2. To understand and summarize the technical aspect and process which involves grinding, drawing, gumming, etching, rolling and at last printing.
  3. Contrast proper negative, as well as positive shapes, in composition effectively their prints.
  4. Learn how to define shapes within a print

COURSE OUTCOMES

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

CVAP 505

Printmaking

 (Practical)

 

The students will –

CO126:  Learn etching process and its background.

CO127:  Examine etching prints of printmaking.

CO128: Develop sensibility to how to develop a drawing according to the medium they use.

CO129: Summarize aspects and printmaking process of etching.

CO130: Understand reverse process of woodcut prints (Dark to light).

CO131: Understand casting of printmaking ink and spooning process for reverse/woodcut.

Approach In Teaching:

Discussion, Tutorials, Demonstration, Brainstorming

Learning Activities For The Students:

Self-Learning Assignments, Giving Tasks, Visualization, Experimenting, Sketching To Learn, Free Exploration, Focused Exploration

Semester End Practical Examinations, Daily Assignments, Observation, Student Teacher Interaction And Final Submissions

COURSE CONTENT

Submission:  

2 works in Etching in B/W (Minimum 8”X10”)

2 woodcut colour (12”X18”)

20 figurative layouts

5 sketches of composition per day

 

References: 

Suggested Text Books /Suggested Reference Books

  • Reddy, Krishna, New ways of color printmaking: signification of materials ,5 Feb 2009
  • Rc Pubns, Prints Regional Design Annual, 1995, 1 Jan 1995
  • Margaret Timmers, Impression of the 20th century: Fine Art Prints from the V&A Collection ,1 October 2001
  • Goyal Amita raj, historical and technical development & innovative practices of printmaking in India book

E-Resources

 

Academic Year: