Printmaking (Practical)

Paper Code: 
24CVAP305
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to Understand colour relief printmaking technique using materials, tools and methods. The relief print will be studied with different surfaces, texture in accordance to the matrix. Printmaking will include the handling techniques of spooning & machine print with different materials.

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

24CVAP305

Printmaking (Practical)

CO64: Develop layouts on a daily basis for both black/white and coloured prints by using different tones to form a composition.

 

CO65: Assemble the knowledge of the relief printing process and present it in showcasing the work.

 

CO66: Produce artworks displaying observation of colour balance taking multi colour print from light to dark colour scheme and understanding the process of relief process.

 

CO67: Justify their works including the process of relief printing and validate attain skill of composition develop possibilities in printmaking.

 

CO68: Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion,

Ideation, Tutorials, Assignments, Brainstorming, Demonstration

 

Learning activities for the students: Self-Learning Assignments, Giving Tasks, Visualization, Experimenting, Sketching to Learn, Free Exploration, Focused Exploration.

Layouts & Sketches, Continuous Assessment Test, Semester End Examinations, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

 

COURSE CONTENT:

Composition in Graphic Techniques (relief and intaglio) based on visual world

 

Submission:   2 works in Woodcut in B/W and 1 in colour (12”X18” minimum size)

1 in Lino in colour (8”X10”)

30 layouts

5 sketches of composition per day

 

Essential Readings: 
  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Margaret Timmers, Impression of the 20th century: Fine Art Prints from the V&A Collection ,1 October 2001
  3. historical and technical development & innovative practices of printmaking in India book Goyal Amita raj.

Suggested Readings:

  1. historical and technical development & innovative practices of printmaking in India book Goyal Amita raj.

 

References: 
  1. The Printmaking Bible: The Complete Guide to Materials and Techniques Hardcover – Import, 1 September 2008 by Ann d'Arcy Hughes (Author), Hebe Verno,Morris (Author)
  2. https://www.npg.org.uk/collections/research/programmes/early-history-of-mezzotint/#:~:text=The%20distinctive%20printmaking%20technique%20of,rocker%20used%20in%20mezzotint%20proper.
  3. https://www.tate.org.uk/art/art-terms/m/mezzotint
  4. https://www.youtube.com/watch?v=L--G6ZvFIM
  5. https://www.greendoor-printmaking.co.uk/shop/colour-techniques-with-intaglio-printing
  6. https://www.youtube.com/watch?v=omJ96tJN3UE
Academic Year: 
2024-2025
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