Relief Printmaking (Practical)

Paper Code: 
24VHA125(G)
Credits: 
5
Contact Hours: 
75.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to Understand the elements and principles of printmaking, apply basic principles of relief printmaking, and gain knowledge in preparing matrices for various textures. Additionally, students will learn to execute the steps in relief printmaking techniques such as linoleum block, cardboard relief, and woodcut.

 

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

24VHA125(G)

Relief

Printmaking

(Practical)

CO23: Develop a series of daily sketches, and layouts of the final works by observing global trends in printmaking.

CO24: Create submission displaying technical know-how of relief printmaking in given mediums that would later help in developing skills to become a graphic designer.  

CO25: Produce a print that illustrates the given topic while displaying technical and compositional skills. 

CO26: Argue her attained skills of printmaking while observing professional ethics and studio code of conduct.

CO27: Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Assignments, Brainstorming, Demonstration

Learning activities for the students: Self-Learning Assignments, Giving Tasks, Visualization, Experimenting, Sketching to Learn, Free Exploration, Focused Exploration.

Layouts & Sketches, Continuous Assessment Test, Semester End Examinations,  Daily Assignments,  Observation, Student Teacher Interaction and Final Submissions

COURSE CONTENT:

Introduction of Relief Printmaking (Lino/ Mdf/ Wood/ Sun board)

Submission: 3 works in B/W, 1 work in Color Size: 8”x10” to 12”x18” 20 layouts and 5 sketches Per Day
 

Essential Readings: 
  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Margaret Timmers, Impression of the 20th century: Fine Art Prints from the V&A Collection ,1 October 2001

Suggested Reading

  1. Goyal Amita raj, historical and technical development & innovative practices of printmaking in India book
  2. The Printmaking Bible: The Complete Guide to Materials and Techniques Hardcover – Import, 1 September 2008 by Ann d'Arcy Hughes (Author), Hebe Vernon-Morris (Author)
Academic Year: