Study of Indian Master Printmaker (Practical)

Paper Code: 
24VAG223
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to develop an In-depth understanding about the artworks of great masters of printmaking from all over the world. Analyse the artist’s work in respect to his style, techniques and subject matter. Relate and create artworks getting influenced by the artist chosen on the basis of its compositional sense.

 

 

Course Outcomes: 

Course

Learning Outcomes (at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

24VAG223

 

 

 

 

 

 

Study               of Indian Master Printmake r (Practical)

CO34: Develop and plan layout according to their chosen style.

CO35: Construct the formal, technical and compositional aspect of the printmaker and relate the same in their own art work.

CO36: Depict and justify the pictorial representation from great masters helps in upgrading their piece of artwork.

CO37: Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstratio n.

Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks.

Layouts & Sketches, Continuous Assessment Test, Semester End Examinatio ns, Daily Assignment s, Observation

, Student Teacher Interaction and Final Submissions

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COURSE CONTENT:

The student will select an artist and study his/her art work.

Submission: The student will make a file of a particular artist including his/her biography, style of making art work, details of major art works and what makes him/her different.

Copy of 2 Art Works (Size 12’’x18’’)

 

Essential Readings: 
  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004.
  3. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  4. Reddy, Krishna, New ways of color printmaking: signification of materials ,5 Feb 2009
  5. Lalit Kala Academy, Graphic Art in India since 1850
  6. Adhemer, Jean Graphic Art of 18th Century.

Suggested Reading:

  1. A Fern, A Half Century of American Printmaking
  2. Sattler, Oliver Modern Japanese Prints
  3. UmetaroAzechi, Japanese Woodblock printing.
  4. Hind, A.M, An Introduction to a History of Woodcut
  5. Mueller, H.A WoodCut and Wood Engravings and How I make them

 

References: 
  1. https://www.google.com/search?q=Mezzotint+tools&sa=X&ved=2ahUKEwiHk6Sy1 vb-AhWG-jgGHZ- TCugQ1QJ6BAhOEAE&biw=1024&bih=497&dpr=1.88#fpstate=ive&vld=cid:6e5b5 1f6,vid:oqAdMxBma0s
  2. https://www.youtube.com/watch?v=96LUAaaPqRc
  3. https://www.google.com/search?q=Mezzotint+tools&sa=X&ved=2ahUKEwiHk6Sy1 vb-AhWG-jgGHZ- TCugQ1QJ6BAhOEAE&biw=1024&bih=497&dpr=1.88#fpstate=ive&vld=cid:a80ae 10b,vid:rpbt6tjjjZE
  4. https://www.youtube.com/watch?v=CNs7HNndrYM
  5. https://www.youtube.com/watch?v=sua-17acX6g
  6. https://www.youtube.com/watch?v=9TJ52opLhoU
  7. https://impact-journal-cfpr.uwe.ac.uk/index.php/impact/article/view/102/85
  8. https://impact-journal-cfpr.uwe.ac.uk/index.php/impact/article/view/97/8

 

Academic Year: 
2024-2025
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