Western Modern Art –II (Theory)

Paper Code: 
VAA 802
Credits: 
02
Contact Hours: 
30.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES:

The course will enable the students to-

  1. Understand and analyze historical development of western art.
  2. Knowledge to demonstrate visual representation and identification of significant artwork of the western artist.
  3. Skilled in creative and critical thinking, visual analysis, integration of theoretical perspectives.
  4. Inculcate the value of tradition, art movements and techniques in western art.

 

COURSE OUTCOMES:

 

Course

 

 Course Outcomes

Learning And Teaching Strategies

Assessment Strategies

Paper Code

Paper Title

 

 

 

 

 

 

 

 

VAA 802

 

 

 

 

 

 

 

 

Western Modern Art -II

(Theory)

 

 

 

 

 

The Students Will:

CO214:Evaluate all the achievements, experiments and advancements each of the mentioned artists made in Modern Art to formulate a deep appreciation of the legacy before them.

 

CO215: Examine major art school, tradition, artists, artworks, aesthetic values and theories to assess the qualities of work of art in their historical and cultural settings.

 

CO216: Develop analytic and critical skills and an artistic sensitivity to contemplate and interpret works of western modern artists.

 

CO217:  Recognize the various techniques used by artists mentioned in the syllabus and how they construct a language through unique skills in the artwork to incorporate that in their own work.

 

 

Approach In Teaching:

Interactive Lectures, Discussion, Tutorials, Reading Assignments, Demonstration.

 

Learning Activities For The Students:

Self-learning Assignments, Effective Questions, Presentation, Giving Tasks.

 

Semester End Examinations, Continuous Assessment Test, Sketching, Layouts Class Test, Quiz, Solving Problems In Tutorials, Assignments, Presentation, Individual And Group Projects, Regular Submission.

 

6.00
Unit I: 

Dadaism: Marcel Duchamp, Francis Picabia, Giorgio de Chirico

Surrealism: Andre Breton, Salvador Dali, Max Ernst, Yves Tanguy, Joan Miro, Andre Masson, Jean Arp

 

6.00
Unit II: 

Marc Chagall, Henri Rousseau

Suprematism: Kazimir Malevich

 

6.00
Unit III: 

De Stijl: Piet Mondrian, Theo Van Doesburg

Constructivism: Vladimir Tatlin, Alexander Rodchenko, El Lissitzky

Abstract Expressionism: Barnett Newman, Willem de Kooning, Clyfford Still

 

 

6.00
Unit IV: 

Abstract Expressionism cont'd.- Mark Rothko, Robert Motherwell, Arshile Gorky, Hans Hoffman

Pop Art: Richard Hamilton, Claes Oldenburg, David Hockney, Allen Jones

Op Art

 

6.00
Unit V: 

Important individual Sculptors: Auguste Rodin, Henry Moore

Some more sculptors- Constantin Brancusi, Alberto Giacometti, Marino Marini

 

References: 

BOOKS RECOMMENDED:

  • .Janson's History of Art : The Penelope J.E. Davies, Walter B. Denny Western Tradition.
  • Art: A World History : Elke Linda Buchholz, Susanne Kaeppele
  • Surrealist Painting : Simon Wilson
  • Chagall West
  • Rodin on Art and Artists :  Auguste Rodin,PaulGsell
  • Alberto Giacometti: A Biography of His Work : Yves Bonnefoy
  • Herbert Read, A concise history of modern painting, Thames & Hudson, 1967 reprint
  • H.H. Arnason, A History of Modern Art, Thames & Hudson, 2001 Revised reprint
  • David Britt, Modern Art, Thames & Hudson, 1989 reprint
  • Douglas Cooper, The Cubist Epoch, Phaidon & Los Angeles County Museum, 1971
  • John Golding, Cubism — a history and analysis (1907 – 1914), Faber & Faber, 1968 reprint
  • John Elderfield, The “Wild Beasts”: Fauvism and its affinities, MOMA, 1976
  • Pontus Hulton,  Futurism & Futurisms, Thames & Hudson, 1987
  • Renata Negri, Matisse & the Fauves, Lamplight Publishing Inc., 1975
  • Pierre Schneider, Matisse, Thames & Hudson, 1984
  • William S. Rubin, Dada, Surrealism & their heritage, MOMA, 1968
  • Gaeton Picon, Surrealism 1919-1939, Skira, 1977
  • Pierre Daix (text), Picasso – the Cubist years 1907-1916, Thames & Hudson, 1979
  • John Elderfield, The cut-outs of Henri Matisse, Thames & Hudson, 1978
  • Norbert Lynton, Klee, Hamlyn, 1975
  • Frank Whitford, Kandinsky, Paul Hamlyn, 1987
  • Piet Mondrian 1872-1944, (Centennial exhibition catalogue), Solomon R. Guggenheim Museum, 1971
  • L.J.F. Wijsenbeck, Piet Mondrian, Studio Vista Ltd., 1969
  • Albert E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, Phaidon Press, 1974/78
  • Mary L. Leukoff, Rodin in his time, Thames & Hudson & Los Angeles County Museum, 1994
  • Franco Russoli (intro), Henry Moore: Sculpture, Editiones Poligrafa, 1981

 

Academic Year: 
2021-2022
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