The course will enable the students to-
COURSE OUTCOMES:
Course |
Course Outcomes |
Learning and teaching strategies |
Assessment Strategies |
|
Paper Code |
Paper Title |
|||
VAP 702 |
Western Modern Art (Theory) |
The students will be able to- CO172: Assess the achievements, experiments and advancements each of the mentioned artists made in Modern Art to formulate a deep appreciation of the legacy before them.
CO173: Examine major art school, tradition, artists, artworks, aesthetic values and theories to assess the qualities of work of art in their historical and cultural settings.
CO174: Develop analytic and critical skills and an artistic sensitivity to contemplate and interpret works of Western artists.
CO175: Recognize the various techniques used by artists mentioned in the syllabus and how they construct a language through unique skills in the artwork to incorporate that in their own work. |
Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration. Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks. |
Semester end examinations, Continuous Assessment Test, Class test, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission. |
Neo Impressionism:
Post Impressionism
Fauvism
Expressionism
Die Brucke
Der Blaue Reiter
Cubism
· Pablo Picasso (Les Demoiselles d'Avignon 1907, Still Life with Chair Caning 1912, Guernica 1937, The Three Musicians 1921, Maquette for Guitar 1912)
· Georges Braque (Houses of l'Estaque 1908, Violin and Pipe 1913, Fruit on a Table-cloth with a Fruit Dish 1925)
· Juan Gris (Portrait of Picasso 1912, Harlequin with a Guitar 1918, The Man from Touraine 1918, Still Life with Checkered Tablecloth 1915)
· Fernand Leger (The Big Black Divers 1944, Mona Lisa with Keys 1930, Three Women 1921, The City 1919, The Card Players 1917)
Futurism
· Umberto Boccioni (The City Rises 1910, Unique Forms of Continuity in Space 1913, The Charge of the Lancers 1915, States of Mind I: The Farewells 1911)
· Giocomo Balla (Street Light 1909, (Dynamism of a Dog on a Leash 1912, Abstract Speed + Sound 1913-14)
· Gino Severini (Dancer = Propeller = Sea 1915, Maternity 1915, Still Life 1919, Mosaic of San Marco 1961, Le Boulevard 1910-11)
· Luigi Russolo (Self Portrait 1909, Memories of Night 1911, La Musica 1911-12, 'Plastic synthesis of a Moving Women' 1912)
· Carlo Carra (The Funeral of the Anarchist Galli 1910-11, Western Horseman 1917, Rhythms of Objects 1911)
Dadaism
· Marcel Duchamp (Fountain 1917, L.H.O.O.Q 1919, The Large Glass 1915-23, Nude Descending a Staircase, No. 2 -1912)
· Francis Picabia (Portrait de Mistinguett 1907, Dances at the Spring 1912, (Very Rare Picture on the Earth 1915, Here This is Stieglitz 1915, Adam and Eve 1930-31)
Giorgio De Chirico (The Child’s Brain 1914, The Disquieting Muses 1916, Self Portrait 1922, The Enigma of an Autumn Afternoon 1910)
Surrealism
Supermatism
De Stijl
Constructivism
Abstract Expressionism
Third Station 1960, Canto VII 1963, Broken Obelisk 1963-69)
Pop Art
Op Art