COURSE OBJECTIVES
The course will enable the students to-
COURSE OUTCOMES
Course |
Course Outcomes |
Learning and teaching strategies |
Assessment Strategies |
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Course Code |
Course Title |
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CVAP 702 |
Western Modern Art (Theory)
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The students will: CO173: Assess the achievements, experiments and advancements each of the mentioned artists made in Modern Art to formulate a deep appreciation of the legacy before them. CO174: Examine major art school, tradition, artists, artworks, aesthetic values and theories to assess the qualities of work of art in their historical and cultural settings. CO175: Develop analytic and critical skills and an artistic sensitivity to contemplate and interpret works of Western artists. CO176: Recognize the various techniques used by artists mentioned in the syllabus and how they construct a language through unique skills in the artwork to incorporate that in their own work. |
Approach in Teaching: Interactive Lectures, Discussion, Tutorials, Reading Assignments, Multiple Points of View
Learning Activities for The Students: Self-Learning Assignments, Effective Questions, Giving Tasks, Oral Explanation |
Class Test, Semester End Examinations, Quiz, Solving Problems In Tutorials, Assignments, Presentation, Individual And Group Projects |
Neo Impressionism:
Post Impressionism
Fauvism
Expressionism
Cubism
Futurism
Dadaism
Surrealism
• Andre Breton (The African Mask 1947-48, Egg in the Church or the Snake, Poeme 1924)
• Salvador Dali (The Persistence of Memory 1931, Dream Caused by the Flight 1944, Christ of Saint John of the Cross 1951, Soft Construction with boiled Beans (Premonition of Civil War)1936)
• Max Ernst (A week of Kindness 1934, Here Everything is Still Floating 1920, Celebes 1921, Ubu Imperator 1923, The King Playing with the Queen 1944)
• Yves Tanguy (Multiplication of the Arcs 1954, Indefinite Divisiblity 1942, Noyer Indifferent 1929, Mama Papa is Wounded 1927)
• Joan Miro (The Farm 1920-21, Harlequin’s Carnival 1924-25, Dog Barking At the Moon 1926, Dutch Interior (I) 1928, The Beautiful Bird Revealing the Unknown to a Pair of Lovers 1941)
• Andre Masson (Automatic Drawing 1924, The Metamorphosis of the Lovers 1938, Gradiva 1939, Meditation on an oak Leaf 1942, Pasiphae 1942)
• Jean Arp (Collage with squares Arranged According to the Laws of Chance 1916-17, Shirt Front and Fork 1922, Sculpture to be lost in the Forest 1932, Metamorphosis (Shell Swan) 1935)
• Marc Chagall (Paris Through the Window 1913, Green Violist 1923-24, White Crucifixion 1938, Peace Window 1967, Bella with White Collar 1917)
• Henri Rousseau (Myself, Portrait -Landscape 1890, Surprised Tiger in a Tropical Storm 1891, The sleeping Gypsy 1897, The Hungry Lion Throws Itself on the Antelope 1905)
Supermatism
• Kazimir Malevich (Black Square 1915, Airplane Flying 1915, White on White 1917-18, Woman with Pails: Dynamic Arrangement)
De Stijl
• Piet Mondrian (The Gray Tree 1912, Composition with Color Planes 1917, Composition with Large Red Plane Yellow, Black, Gray and Blue 1921, Broadway Boogie Woogie 1942-43)
• Theo Van Doesburg(Stained Glass Composition IV 1918, Rhythm of Russian Dance 1918, Composition VIII (The Cow)1918, Dancers 1916)
Constructivism
• Vladimir Tatlin(The Sailor: Self Portrait 1911, The Nude 1913, The Bottle 1913, Corner Counter Relief 1914-15, Monument to the Third International 1919-20)
• Alexander Rodchenko(The Staircase 1930, Books (The Advertisement Poster for the Lengiz Publishing House)1924, Construction No. 127(Two Circles)1920, Non-Objective Painting No 80(Black on Black)1918)
El Lissitzky(The Print Shop of Ogoniok 1932, The Runner 1930, USSR RussischeAusstellung 1929, Proun 99 1925, Had Gadya 1919)
Abstract Expressionism
Pop Art
Op Art
Suggested Text Books/Suggested Reference Books:
E-Resources:
Reference Journals