Creative Composition (Practical)

Paper Code: 
VAS(C) 325
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 
The students will be able to: 
  1. Demonstrate advanced knowledge in skill to construct original artworks.
  2. Use tools and techniques creatively to express their thought processes.
  3. Construct complete artworks with complex shapes and forms entwined in each other.

Course

 

   Course Outcomes

Learning and teaching strategies

Assessment Strategies

Paper Code

Paper Title

 

 

 

VAS(C) 325

 

 

 

 

Creative Sculpture (Practical)

 

 

The students will be able to-

CO54:    Use mediums with deeper understanding of their significance and attributes they add to the work of art. Develop unique ways of executing nontraditional materials and bringing them into their artworks.

 

 CO55:  Use space more effectively. Constructing installations or scaled up works to enable an effective environment for their works.

 

CO56:  Demonstrate unique ways of using tools and techniques in accordance with their unique though.

 

CO57: Develop a personal style of expression.

 

 

 

 

  

 

 

 

 

 

Approach in teaching:

Interactive Lectures, Discussion on composition subjects, Tutorials, Videos, Demonstration, Reading assignments.

 

Learning activities for the students:

Sketching, lay outing , Self-learning assignments, Effective questions, presentation, Giving tasks,  Field practical, handling of matrix, printing press and tools, giving tasks to create sketches, layouts.

 

 

Continuous Assessment Test, Sketching, layouts Viva-Voice on display of artworks, Quizzes, Solving problems in tutorials, Assignments, Presentation, Individual and regular submission.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CONTENT:  No Exam

 

 

Student will prepare a creative sculpture based on figures in his own style using different techniques and mediums.

SUBMISSION:    3 works of 2’ minimum

 

References: 
  1. Tucker William, The Language of Sculpture
  2. Flynn Tom, The body in Sculpture, The Everyman art Library,1998, Calmann and King Ltd, London
  3. Rubina Peter, Sculpting the Figure in Clay: An Artistic and Technical Journey to Understanding the Creative and Dynamic Forces in Figurative Sculpting
  4. Vergie Lea, Art on the Cutting Edge – A guide to Contemporary Movements, Skira Paperbag, 2001, Milan, Italy
  5. Ian Dawson – Making Contemporary Sculpture
  6. The 21st Century Art book – Phaidon
  7. Pran Nath Mago - Contemporary Art of India
  8. Michael Archer – Installation Art – Thames & Hudson
  9. Willium Schultz Linduff – Art Past Art Present
  10. Williemian Brand – Visual Thinking
  11. Devi Prasad – Ramkinker Vaij
  12. Norbert Lynton – The Story of Modern Art
Academic Year: 
2020-2021
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