The course will enable the students to-
COURSE OUTCOMES:
Course |
Course Outcomes |
Learning and teaching strategies |
Assessment Strategies |
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Paper Code |
Paper Title |
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VAP 402 |
History of Western Art (Medieval) (Theory)
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The students will be able to- CO79: Analyze major monuments and artists, methods and theories and be able to assess the qualities of work of art in their historical and cultural settings.
CO80: Develop analytic and critical skills and an artistic sensitivity to contemplate and interpret works of Western artists.
CO81: Distinguish between the works of each era with respect to their style and aesthetic so they can build and hold conversations at museums, art galleries and art meetings.
CO82: Evaluate the significance of context in informing the interpretation of art works to contextualize their own artworks and those of their peers.
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Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration.
Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks. |
Semester end examinations, Continuous Assessment Test, Sketching, layouts Class test,Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission. |
Byzantine Art: Art and architecture-Church St. Vitale Ravenna (Mosaics: Emperor Justinian and his Attendants, Empress Theodora and her Attendants), Hagia Sophia Istanbul, St. Mark’s Church.
Iconoclasts and Iconophiles
Romanesque Art: Sculpture, Painting, Architecture: St. Remi Church, Reims (1049) France, Notre-Dame, Paray-le-Monial (1090) France, The Cathedral of Saint Lazarus of Autun
Gothic Architecture: Architect Abbot Suger, General characteristics and components of Churches and Cathedral (Stained glass windows, Choir, Pulpits, Altarpieces)
Gothic Sculptures– Jamb Statues of Chartres Cathedral, Death of Virgin in Strasbourg Cathedral, Annunciation and Visitation in Reims Cathedral, The Virgin of Paris Notre- Dame, The Kiss of Judas and Crucifixion in Naumburg Cathedral, The Pieta
Gothic paintings
The Early Renaissance artists and their works
● Janson's History of Art : The Penelope J.E. Davies, Walter B. Denny Western Tradition.
● Art: A World History : Elke Linda Buchholz, Susanne Kaeppele
● The Renaissance: A Very Short Introduction : JeeryBrotton
● Art of Renaissance Florence : Scott Nethersole
● The Story of Art :Cambrich,E.H.
● Herbert Read, A concise history of modern painting, Thames & Hudson, 1967 reprint
● H.H. Arnason, A History of Modern Art, Thames & Hudson, 2001 Revised reprint
● David Britt, Modern Art, Thames & Hudson, 1989 reprint
● Douglas Cooper, The Cubist Epoch, Phaidon& Los Angeles County Museum, 1971
● John Golding, Cubism — a history and analysis (1907 – 1914), Faber & Faber, 1968 reprint
● John Elderfield, The “Wild Beasts”: Fauvism and its affinities, MOMA, 1976
● Pontus Hulton, Futurism & Futurisms, Thames & Hudson, 1987
● Renata Negri, Matisse & the Fauves, Lamplight Publishing Inc., 1975
● Pierre Schneider, Matisse, Thames & Hudson, 1984
● William S. Rubin, Dada, Surrealism & their heritage, MOMA, 1968
● GaetonPicon, Surrealism 1919-1939, Skira, 1977
● Pierre Daix (text), Picasso – the Cubist years 1907-1916, Thames & Hudson, 1979
● John Elderfield, The cut-outs of Henri Matisse, Thames & Hudson, 1978
● Norbert Lynton, Klee, Hamlyn, 1975
● Frank Whitford, Kandinsky, Paul Hamlyn, 1987
● Piet Mondrian 1872-1944, (Centennial exhibition catalogue), Solomon R. Guggenheim Museum, 1971
● L.J.F. Wijsen beck, Piet Mondrian, Studio Vista Ltd., 1969
● Albert E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, Phaidon Press, 1974/78
● Mary L. Leukoff, Rodin in his time, Thames & Hudson & Los Angeles County Museum, 1994 Franco Russoli (intro), Henry Moore: Sculpture, Editiones Poligrafa, 1981