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HISTORY OF PRINTMAKING (FAR EASTERN) (Theory) [1]

Paper Code: 
VAG 421
Credits: 
2
Contact Hours: 
30.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to:

  1. Analyze and evaluate the art works Far Eastern art and artists.
  2. Develop visual literacy about Far Eastern art world.
  3. Focus on art vocabulary to pursue career in academics, museum archivist and more.

COURSE OUTCOMES

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

VAG 421

 

 

 

 

 

History of printmakig

 (Far Eastern) (Theory)

 

 

 

 

The students will –

CO81: Interpret deep understanding of the history of China and Japan in context to different dynasties.

CO82: Develop skills to appreciate Far Eastern artist’s work considering its subject, style and techniques.

CO83: Critically analyze major periods, artists, methods and theories in their historical and cultural settings.

CO84: Demonstrate effective knowledge of visual vocabulary required for conducting dissertation.

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration.

 

Learning activities for the students:

Self-learning assignments, Effective questions, presentation, Giving tasks.

 

Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission.

 

6.00
Unit I: 

History of print making in China.

6.00
Unit II: 

Contribution of the artist in printmaking in China (after 19th century) Li Hua , Hao Boyi ,Chen Yuqiang ,Hao Ping.

 

6.00
Unit III: 

History of print making in Japan.    

 

6.00
Unit IV: 

Ukiyo –E Woodcut print making and Kabuki Theater how to influence on printmaking and its artists: Katsyshika Hokusai, Moronobu, Utagawa Hiroshige, Kitagawa Utamaro, Toyokuni II, Toshusai Sharaku.

 

6.00
Unit V: 

Contemporary artist in China and Japan: Wang Yuhui, Liu Chuahai, Zhang Yogqing, Tom Kristense, Paul Binni, Yuki Hiratsuka.

 

References: 

Suggested Text Books/Suggested Reference

 

  •  Sherman E. Lee, History of Far Eastern Art Reprint Edition,1 Jan 1994
  • The Printmaking Ideas Book Paperback – Illustrated, August
  • Wayne Robinson, Printing effects ,1 Jan 199
  • Far Eastern Art by H. Hetl-Kuntze
  •  Art: A World History: Elke Linda Buchholz, Susanne Kaeppele
  • Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004.
  •  The Elements of Style: A Practical Encyclopaedia of Interior Architectural Details from 1485 to Interior Architectural Details from 1485 to the Present, 4 March 1997
  • Roger Marsh, Silk Screen Printing for the Artist 

E-Resources:

Academic Year: 
2023-2024 [11]

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Source URL: https://visualarts.iisuniv.ac.in/courses/subjects/history-printmaking-far-eastern-theory-2

Links:
[1] https://visualarts.iisuniv.ac.in/courses/subjects/history-printmaking-far-eastern-theory-2
[2] https://www.youtube.com/watch?v=QA7x9PVHtiQ
[3] https://www.youtube.com/watch?v=m-QoJF5Wvr4
[4] https://www.youtube.com/watch?v=PS6JjajA9Vo
[5] https://www.youtube.com/watch?v=gi5n4HNURnw
[6] https://www.youtube.com/watch?v=ZfqOcyExlPE
[7] https://www.youtube.com/watch?v=YIXaKCRw0Y0
[8] https://www.youtube.com/watch?v=t8uF3PZ3KGQ&t=234s
[9] https://www.youtube.com/watch?v=4H4XjIgloQE
[10] https://www.youtube.com/watch?v=d1ufFlXIWjA
[11] https://visualarts.iisuniv.ac.in/academic-year/2023-2024