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COMPOSITION IN ROUND III (Practical) [1]

Paper Code: 
25DVAS504B
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to display an advanced level of understanding of what a composition is in a 3D work of art. They will be able to form a connection in between two or more figures/objects in their artworks exemplifying their practice so far of elements and properties of art.

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies 

Course Code

Course Title

25DVAS504 (B)

Composition in Round III 

(Practical)

CO18: Compose the sculpture in a 2D sketch or a small 3D maquette to organize form in the composition. Review basic principles and elements of art to construct a composition 

CO19: Prepare a portfolio depicting the understanding of movement and rhythm between two or more forms to construct a well-balanced composition, Plan a mold that best solves the issues, a proper step by step plan to cast their molds, recognize their individual mold challenges to enhance material proficiency to industry standards.

CO20:  Create sculpture displaying an understanding of recognized human figures and their anatomy; execute two or more human forms in composition, interacting with each other, to learn to compose using human figures.

 

CO21: Defend the understanding of composition, techniques developed and establish herself as a sculptor.

CO22:  Contribute 

effectively in course-specific 

Approach in teaching:

Interactive Lectures, Discussion on composition subjects, Tutorials, Videos, Demonstration, Reading assignments.

Learning activities for the students:

Sketching, layouting, Self-learning assignments, Effective questions, presentation, Giving tasks, Field practical, handling of various material and mediums of art.

Layouts and Sketches,Continuous Assessment Test, Semester End Examinations,Daily Assignments,Observation,Student Teacher Interaction and Final Submissions

COURSE CONTENT:

Advanced composition-individual or group compositions based on specific subject suitable for execution in fiber or scrape material

Submission: 4 compositions in fiber/ scrap material /Plaster.

Essential Readings: 
  1. Modern Art, Flame Tree Publishing, UK , 2005
  2. John Raynes, Figure Drawing & Anatomy for the Artist, Chancellor Press

Suggested Readings: 

  1. William Tucker, The Language of Sculpture, Thames & Hudson Publication

 

References: 
  1. https://www.skillshare.com/en/blog/a-guide-to-composition-in-art/ [2]
  2. https://www.youtube.com/watch?v=H13LvKAVb_I&pp=ygUJc2N1bHB0dXJl [3]
  3. https://www.youtube.com/watchv=7cNsvZl6IFk&t=211s&pp=ygUJc2N1bHB0dXJl [4]
  4. https://www.youtube.com/watch?v=Iekv_Q1PVG8&pp=ygUJc2N1bHB0dXJl [5] 
Academic Year: 
2025-2026 [6]

Follow Fine Arts on:

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Gurukul Marg, SFS, Mansarovar, Jaipur 302020, (Raj.) India Phone:- +91-141-2400160-61, 2397906-07, Fax: 2395494, 2781158

Source URL: https://visualarts.iisuniv.ac.in/courses/subjects/composition-round-iii-practical

Links:
[1] https://visualarts.iisuniv.ac.in/courses/subjects/composition-round-iii-practical
[2] https://www.skillshare.com/en/blog/a-guide-to-composition-in-art/
[3] https://www.youtube.com/watch?v=H13LvKAVb_I&pp=ygUJc2N1bHB0dXJl
[4] https://www.youtube.com/watch?v=7cNsvZl6IFk&t=211s&pp=ygUJc2N1bHB0dXJl
[5] https://www.youtube.com/watch?v=Iekv_Q1PVG8&pp=ygUJc2N1bHB0dXJl
[6] https://visualarts.iisuniv.ac.in/academic-year/2025-2026