CREATIVE COMPOSITION (Practical)

Paper Code: 
VAP 125
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to-

  1. Ability to synthesize the use of drawing in creative skills and innovative ideas in creating of composition.
  2. Emphasize the study of creativity, exploration of media and aesthetic values in general.
  3. Command of technique and materials, both traditional and experimental.

COURSE OUTCOMES

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 VAP   125

 

 

 

Creative Composition

(Practical)

 

The Students Will –

CO23:  Apply skills and thoughts to bring original creative work

CO24: Progress towards developing a consistent, personal style in creating compositions

CO25: Develop creative potential.

CO26:  Execute to work independently.

CO27:  Apply artistic skills of composition

CO28: Be proficient to get commercial work

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration.

 

Learning activities for the students:

Self-learning assignments, Effective questions, presentation, Giving tasks.

Semester end examinations, Continuous Assessment Test, Sketching, layouts, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular ,display and submission of artworks.
 

COURSE CONTENT:

The student will compose a creative composition in her own style choosing any medium, topic, style and develop it with potential. Student is free to choose to develop her own style and individuality. She can select cultural, religious, political awareness based subject, landscape, abstract or realistic concept of art.

Submissions:

8 works Canvas Size- 3’x 4’ (minimum)

 

References: 

Suggested Text Books/Suggested Reference Books:

  • Bernard,Mike ; Capon,Robin, Collage ,Colour and Textile in Painting, London : Batsford Ltd, 2010
  • Coomaraswamy,Ananda K.,  The Transformation of Nature in Art, New Delhi : Munshiram Manoharlal Publishers Pvt.Ltd., 1994
  • Escritt, Stephen, Art Nouveau, Art & Ideas
  • Gage,John, Colour and Culture : Practice and Meaning from Antiquity to Abstraction, London : Thames & Hudson Ltd., 2001
  • Guasch,Gemma ; Asuncion, Creative Painting Series Form, United States : Barron's Educational Series, Inc. , 2003
  • Guasch,Gemma ; Asuncion, Creative Painting Series Line, United States : Barron's Educational Series, Inc. , 2003
  • Gurenbara Bijutsukan, Image-beyond image : contemporary Indian paintings : from the collection of Glenbarra Art Museum Japan = Rupa-atirupa. New Delhi : Vadhera Art Gallery
  • Kendall, The History And Techniques Of The Great Masters, London : Tiger Books International, 1989
  • Korn, Great Masterpieces of the World, Todtri Productions Ltd.
  • Mannering, Great Works of Indian Art, Bristol : Paragon Book Service Ltd.
  • Monsef,Darius A, Color Inspirations, How Books, 2011
  • Nice,Claudia, Creating Textures in Pen & Ink with Watercolour, North light Books, 2005
  • Piyasena,Sam ; Philp, Beverly  , Just Paint It; The World's Most Enjoyable Painting Course Ever.  Kent (United Kingdom) : Search Press, 2014
  • Sharma    Creative Art and Craft    Macmillian India Ltd.
  • Shrotriya, Creative Composition, Chitrayan Prakashan
  • Vashishtha,Neelima, Tradition and Modernity in Indian Arts: during the Twentieth Century, Delhi : Aryan Book International, 2010
  • The Great Artists Series, Marshall Cavendish Ltd., 1990
  • Thompson, How to Read A Modern Painting, Thames and Hudson, 2014

E-Resources:

 

Academic Year: 
2023-2024
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