CREATIVE COMPOSITION (Practical)

Paper Code: 
VAP 225
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to-

  1. Retrieve the acquired knowledge of creativity, spontaneous drawing.
  2. Practice and manipulate the drawing in theme and concept.
  3. Emphasize the study of creativity, exploration of media and aesthetic values in general.
  4. Command of technique and materials, both traditional and experimental.
  5. Construct signature style

COURSE OUTCOMES

             Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

VAP   225

 

 

 

 

Creative Composition

(Practical)

 

The Students Will –

CO52: Effectively apply knowledge towards developing a consistent, personal style.

CO53:  Interpret   creative potential after gaining advanced knowledge of art styles, mediums relevant to fine art practices

CO54: Analyse and apply advanced art techniques & materials

CO55: Create compositions according to the contemporary scenario.

CO56: Mind map own signature style in creating compositions

CO57: Validate to execute picture compositions in identical series.  

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration

Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks.

Semester end examination, Continuous Assessment Test, Sketching, layouts, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular, display and submission of artworks.

COURSE CONTENT:

The student will compose a creative composition in his own style choosing any medium, topic, style and develop it with potential. Student is free to choose to develop her own style and individuality. She can select cultural, religious, political awareness-based subject, landscape, abstract or realistic concept of art. 

    Submissions: 8 works Canvas Size- 3’x 4’ (minimum)

 

References: 

     Suggested Text Books/Suggested Reference Books:

  • Bernard,Mike ; Capon,Robin, Collage ,Colour and Textile in Painting, London : Batsford Ltd, 2010
  • Coomaraswamy,Ananda K.,  The Transformation of Nature in Art, New Delhi : Munshiram Manoharlal Publishers Pvt.Ltd., 1994
  • Escritt, Stephen, Art Nouveau, Art & Ideas
  • Gage,John, Colour and Culture : Practice and Meaning from Antiquity to Abstraction, London : Thames & Hudson Ltd., 2001
  • Guasch,Gemma ; Asuncion, Creative Painting Series Form, United States : Barron's Educational Series, Inc. , 2003
  • Guasch,Gemma ; Asuncion, Creative Painting Series Line, United States : Barron's Educational Series, Inc. , 2003
  • Gurenbara Bijutsukan, Image-beyond image : contemporary Indian paintings : from the collection of Glenbarra Art Museum Japan = Rupa-atirupa. New Delhi : Vadhera Art Gallery
  • Kendall, The History And Techniques Of The Great Masters, London : Tiger Books International, 1989
  • Korn, Great Masterpieces of the World, Todtri Productions Ltd.
  • Mannering, Great Works of Indian Art, Bristol : Paragon Book Service Ltd.
  • Monsef,Darius A, Color Inspirations, How Books, 2011
  • Nice,Claudia, Creating Textures in Pen & Ink with Watercolour, North light Books, 2005
  • Piyasena,Sam ; Philp, Beverly  , Just Paint It; The World's Most Enjoyable Painting Course Ever.  Kent (United Kingdom) : Search Press, 2014
  • Sharma    Creative Art and Craft    Macmillian India Ltd.
  • Shrotriya, Creative Composition, Chitrayan Prakashan
  • Vashishtha,Neelima, Tradition and Modernity in Indian Arts: during the Twentieth Century, Delhi : Aryan Book International, 2010
  • The Great Artists Series, Marshall Cavendish Ltd., 1990
  • Thompson, How to Read A Modern Painting, Thames and Hudson, 2014

E-Resources:

Academic Year: 
2023-2024
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