CREATIVE COMPOSITION (Practical)

Paper Code: 
VAP 325
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

The course will enable the students to-

  1. Develop creative skills while manipulating the space, form, texture and other elements
  2. Balance principles of composition in a mature way
  3. Explore more new techniques to enhance the composition
  4. Progress toward developing a person style
  5. Learn to aware the society through thoughts depicted in the compositions

COURSE OUTCOMES

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

VAP   325

 

 

 

Creative Composition

(Practical)

 

The Students Will –

CO78: Execute the learnt and explored creative skill in to compositions

CO79: Evaluate the need of manipulating the elements & principles of painting in a composition

CO80: Assess the art of simplifications, complications of form, handling of colours and other essential elements in a composition

CO81: Execute variety of methods of creating composition: exaggeration, subtraction, molding, reducing, overlapping to make the composition more interesting

CO82: Demonstrate the society, environment, art and culture in composition

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration

Learning activities for the students:

Self-learning assignments, Effective questions, presentation, Giving tasks.

Semester end examination, Continuous Assessment Test, Sketching, layouts, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular, display and submission of artworks.

COURSE CONTENT:

The student will compose a creative composition in his own style choosing any medium

Submission: 8 works,Canvas Size- 3’x 4’ (minimum)

 

 

References: 

 

          Suggested Text Books/Suggested Reference Books:

  • Bernard,Mike ; Capon,Robin, Collage ,Colour and Textile in Painting, London : Batsford Ltd, 2010
  • Coomaraswamy,Ananda K.,  The Transformation of Nature in Art, New Delhi : Munshiram Manoharlal Publishers Pvt.Ltd., 1994
  • Escritt, Stephen, Art Nouveau, Art & Ideas
  • Gage,John, Colour and Culture : Practice and Meaning from Antiquity to Abstraction, London : Thames & Hudson Ltd., 2001
  • Guasch,Gemma ; Asuncion, Creative Painting Series Form, United States : Barron's Educational Series, Inc. , 2003
  • Guasch,Gemma ; Asuncion, Creative Painting Series Line, United States : Barron's Educational Series, Inc. , 2003
  • Gurenbara Bijutsukan, Image-beyond image : contemporary Indian paintings : from the collection of Glenbarra Art Museum Japan = Rupa-atirupa. New Delhi : Vadhera Art Gallery
  • Kendall, The History And Techniques Of The Great Masters, London : Tiger Books International, 1989
  • Korn, Great Masterpieces of the World, Todtri Productions Ltd.
  • Mannering, Great Works of Indian Art, Bristol : Paragon Book Service Ltd.
  • Monsef,Darius A, Color Inspirations, How Books, 2011
  • Nice,Claudia, Creating Textures in Pen & Ink with Watercolour, North light Books, 2005
  • Piyasena,Sam ; Philp, Beverly  , Just Paint It; The World's Most Enjoyable Painting Course Ever.  Kent (United Kingdom) : Search Press, 2014
  • Sharma    Creative Art and Craft    Macmillian India Ltd.
  • Shrotriya, Creative Composition, Chitrayan Prakashan
  • Vashishtha,Neelima, Tradition and Modernity in Indian Arts: during the Twentieth Century, Delhi : Aryan Book International, 2010
  • The Great Artists Series, Marshall Cavendish Ltd., 1990
  • Thompson, How to Read A Modern Painting, Thames and Hudson, 2014

 E-Resources:

 

Academic Year: