Creative Printmaking - II (Practical)

Paper Code: 
24VAG225
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to recollect printmaking technique and materials knowledge, both traditional and experimental to create work. Proper measures taken for making the advanced level work with understanding of knowledge of tools and methods involved in the Lithography, Etching   and emboss process. Relate the importance of studios to create their own work

 

Course Outcomes: 

Course

Learning Outcomes (at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

 

 

 

24VAG225

 

 

 

 

 

 

 

 

 

 

Creative Printmaking

-                 II(Practical)

CO42: Create layouts towards developing a consistent, personal style. Recollect knowledge of printing technique.

CO43: Compile the tools and techniques to build confidence to express their concepts.

CO44: Cultivate the sensibility of how to develop a drawing according to the medium they are going to use.

CO45: Evaluate the progress towards developing a style like reverse and multi-color litho printing style.

CO46:                   Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration

 

Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks.

Layouts & Sketches, Continuous Assessment Test, Semester End Examination s, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

CONTENT:

The student will choose any one of the following as a compulsory technique which they will continue in all the four semesters. Besides this they will have to choose one more technique as a subsidiary, which they can change in each semester if they want.

  • Relief printing (wood and lino)
  • Lithography (Planography)
  • Intaglio (Etching, Dry Point, Aquatint viscosity, Engraving, Matzoth, Photo Etching)
  • Serigraphy

Submission: min. 8 works (not less than 12”x 18”)

 

Essential Readings: 
  1.   Herbert et al, The Book of Art: Pictorial Encyclopedia of Painting, Drawing, and Sculpture (Ten Volume Complete Set), 1 Jan 1971
  2.   The Elements of Style: A Practical Encyclopaedia of Interior Architectural Details from 1485 to Interior Architectural Details from 1485 to the Present, 4 March 1997
  3.   UmetaroAzechi, Japanese Woodblock printing.
  4.   Arthur Hind, A History of Etching and Engraving

Suggested Reading:

  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004
  3. D. Kauffmann., Graphic Art and Craft
  4. Eichenberg, Fritz, The Art of the Print.
References: 
  1. https://www.youtube.com/watch?v=2xeSITQl9Q4
  2. https://www.youtube.com/watch?v=aswGk2-eXLI
  3. https://www.youtube.com/watch?v=KPlERrPwiSU
  4. https://www.youtube.com/watch?v=ToZDtu65lQ0
  5. https://www.youtube.com/watch?v=OEsmDXOW1Gk
  6. https://www.youtube.com/watch?v=eKmArlrjxLI
  7. https://www.youtube.com/watch?v=8Zv2bbbEGPE

 

Academic Year: 
2024-2025
  • Printer-friendly version
  • PDF version