Creative Printmaking - III (Practical)

Paper Code: 
24VAG325
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to develop a sensibility to know- how to develop a print according to the medium like relief/etching/ lithography, they are going to use. Summarize the technical aspect and process for a final print in their own style which is relevant to real- world issues related to culture, environment, history, society and current trends or chosen topic which enhance their understanding and critical analysis.

 

 

 

Course Outcomes: 

Course

Learning Outcomes (at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

 

 

 

 

24VAG 325

 

 

 

 

 

 

 

 

 

 

 

Creative Printmaking

- III

(Practical)

CO65: Develop sketches and layouts selection which are appropriate for relief/ litho/ intaglio, the chosen technique by her.

 

CO66: Create submission which shows the proper selection of technique of printmaking along with the topic chosen.

 

CO67: Produce an artwork which implements her chosen topic, current scenario in contemporary art or relevant to real world issues and apply their own individual art style.

 

CO68: Justify the artwork which defends the composition along with the technique of printmaking chosen.

CO69: Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments

,

Demonstrati on

 

Learning activities for the students: Self- learning assignments

, Effective questions, presentation

, Giving tasks.

Layouts & Sketches, Continuous Assessment Test, Semester End Examination s, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

COURSE CONTENT:

The student will choose any one of the following as a compulsory technique which they will continue in all the four semesters. Besides this they will have to choose one more technique as a subsidiary, which they can change in each semester if they want.

  • Relief printing (wood and lino)
  • Lithography (Planography)
  • Intaglio (Etching, Dry Point, Aquatint viscosity, Engraving, Matzoth, Photo Etching)
  • Serigraphy

Submission: min. 8 works (not less than 12”x 18”)

 

Essential Readings: 
  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Reddy, Krishna, New ways of color printmaking: signification of materials ,5 Feb 2009
  3. Lalit Kala Academy, Graphic Art in India since 1850
  4. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004.
  5. The Elements of Style: A Practical Encyclopaedia of Interior Architectural Details from 1485 to Interior Architectural Details from 1485 to the Present, 4 March 1997
  6. D. Kauffmann., Graphic Art and Craft
  7. Biegeleisen and Cohn, Silk Screen Techniques
  8. Bernard, David, The Collograph Print
  9. Roger Marsh, Silk Screen Printing for the Artist

Suggested Reading:

  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004.
  3. D. Kauffmann., Graphic Art and Craft

 

References: 
  1.  https://www.youtube.com/watch?v=lpUXusDyj5M
  2.  https://www.youtube.com/watch?v=2xeSITQl9Q4
  3. https://www.youtube.com/watch?v=aswGk2-eXLI
  4.  https://www.youtube.com/watch?v=KPlERrPwiSU
  5.  https://www.youtube.com/watch?v=ToZDtu65lQ0
  6.  https://www.youtube.com/watch?v=OEsmDXOW1Gk
  7. https://www.youtube.com/watch?v=eKmArlrjxLI
Academic Year: 
2024-2025
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