Elements of Indian Iconography (Theory)

Paper Code: 
VHA 421
Credits: 
5
Contact Hours: 
75.00
Max. Marks: 
100.00
Objective: 

This course will enable the students to-

  1. Recognize and analyse elements of Indian Iconography.
  2. Produce relation between Iconology and Iconography.
  3. Compare and contrast different Iconic forms of Indian deities.
  4. Develop skills to write short critiques about different Iconic forms of Indian deities.

COURSE OUTCOMES:

Course

 

   Course Outcomes

Learning and teaching strategies

Assessment Strategies

Paper Code

Paper Title

VHA 421

Elements of Indian Iconography

The students will-

CO87: Trace the elements of Indian Iconography to examine the significance of iconography in Indian art.

CO88: Classify and analyze the meaning of Iconography in informing the interpretation of art works.

CO89: Evaluate the relationship between Iconography and Iconology to read artworks in traditional Indian art.

CO90: Demonstrate skills to read and write critically on the studied iconography and iconology.

CO91.  Infer explanatory and analytical skills required to write on the elements of Indian Iconography.

 

CO92. Effectively apply knowledge of the elements of Indian Iconography in critical writings.

 

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration of writing and visualizing.

 

Learning activities for the students:

Self-learning assignments, Effective questions, presentation, Giving writing tasks.

 

Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission.

 

15.00
Unit I: 

Introduction: Iconography to Iconology; A brief introduction to major Shilpa texts and their relevance to traditional Indian art; Aniconic and Iconic forms of Buddha, Bodhisattvas (Manjushri, Avalokiteshvara, Maitreya) and Buddhist goddesses (Tara, Prajnaparamita, Marichi)

 

15.00
Unit II: 

Jataka stories and the life of Buddha; Tirtankara Images (Rishabhanath, Neminatha, Parshavanatha, Mahavira, Bahubali); Vishnu Images and Incarnatory forms of Vishnu; Surya images

 

15.00
Unit III: 

Main Forms of Shiva (Nataraja, Uma-Maheshwara, Kalyana-sundaramurthy, Tripuranthaka, Yamantaka, Ravananugraha, Chandrashekara etc.); Sapta-matrika, Mahishamardini, Lakshmi, Saraswati; Harihara, Ardhanarishvara

 

15.00
Unit IV: 

Minor deities — yaksha, Kartikeya, Rebanta, Hariti-Panchika, etc.; Image to narration: Maya Devi’s Dream, Mahishamardini, Last Judgement

 

15.00
Unit V: 

Introduction to Christian Iconography: Changing concepts and representations of Mary and Christ, The Apostles and the Saints

 

References: 

 BOOKS RECOMMENDED:

  • R.S. Gupte, Iconography of the Hindus, Buddhists and Jains
  • J.N. Banerjee, Developments of Hindu Iconography
  • A.K.Coomaraswamy, The Origin of Buddha Image
  • A.K.Coomaraswamy, Elements of Buddhist Iconography
  • A.K.Coomaraswamy,  Yaksas
  • Dipak C. Bhattacharya, Studies in Buddhist Iconography
  • Kalpana S. Desai, Iconography of Visnu
  • B. Srivastava,  Iconography of Sakti
  • Shantilal Nagar, Mahishasurmardini in Indian Art
  • T.S. Maxwell, Viswarupa
  • R. Champakalaksmi, Vaisnava Iconography in Tamil country
  • S. K. Panikkar, Saptamatrika
  • Alice Getty, Ganesa
  • Bhagawat Sahai, Iconography of minor Hindu and Buddhist deities

 

Academic Year: 
2022-2023
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