COURSE OBJECTIVES
The course will enable the students to:
COURSE OUTCOMES
Course |
Course Outcomes |
Learning and teaching strategies |
Assessment Strategies |
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Course Code |
Course Title |
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VAG 321 |
History of Printmaking (Indian) (Theory)
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The students will – CO54: Read and evaluate the artworks of the Indian printmakers. CO55: Understand a range of artistic techniques such as the use of colour, composition and medium and apply it in their own art work. CO56: Reflect an essential understanding of art terminology required to write a critique on art forms. CO57: Inculcate visual vocabulary appropriate for careers in the academics, curator and more. |
Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration.
Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks. |
Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission. |
Printmaking in India and Introduction of the development in different areas of India in 19th and 20th Century
Contribution of artist in printmaking in the early stage: Raja Ravi Verma, Tagore Brothers, Mukul Chandra Dey, Nandlal Bose, Binod Bihari Mukherjee
Contribution in developing the Print Making in India in the middle stage: RamkinkerBaij, Haren Das, Chittoparsad, Sakti Burman, Jyoti Bhatt.
Contribution of artist in printmaking in the middle stage : Shree Kawal Krishna, Kavita Jaiswal, Pinaki Barua, Parag Roy, Anupam Sud, K.Laxman Gaud, Rini Dhumal and Paula Sengupta .
Ajit Seal, V.Nagdas, Arpan Mukherjee, Vijay Bagodi, Walter D’Souza, R.M.PalaniAppan
Suggested Text Books/Suggested Reference Books:
E-Resources: