History of Western Art (Medieval) (Theory)

Paper Code: 
24CVA A402
Credits: 
2
Contact Hours: 
30.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to gain an understanding of Western art movements. Develop an effective knowledge of visual art vocabulary through extensive reading of art works done by artists of western world. Learn and demonstrate extensive learning on varied techniques and skills by Western artists.

 

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

24CVA A402

History of Western Art (Medieval) (Theory)

CO79: Theorize and appraise Byzantine period major monuments, artworks style, techniques and methods and also assess the qualities of work of art in their historical and cultural settings.

 

CO80: Develop analytical and critical skills and an artistic sensitivity to contemplate the works of Romanesque period. 

 

CO81: Build an understanding about the Gothic architecture, sculptures and paintings highlighting characteristics, components, style and aesthetics. 

 

CO82:  Construct and appraise the significance of Early Renaissance works in context to artists and their works.

 

CO83: Discuss High Renaissance painters, sculptors, architects and their works to classify subject matter, features, style, theories, techniques, materials and color palette to acquire employability and entrepreneurship skills to hold conversations at museums, art galleries and art meetings.

 

CO84: Contribute effectively in course-specific interaction

Approach in Teaching: Interactive Lectures, Discussion, Tutorials, Reading Assignments, Multiple Points of View

 

Learning Activities for The Students: Self-Learning Assignments, Effective Questions, Giving Tasks, Oral Explanation

Continuous Assessment Test, Semester end examination, Quiz, Solving Problems in Tutorials, Assignments, Presentation, Individual And Group Projects

 

6.00
Unit I: 
Byzantine period

Byzantine Art: Art and Architecture-Church St. Vitale Ravenna (Mosaics: Emperor Justinian and his Attendants, Empress Theodora and her Attendants), Hagia Sophia Istanbul, St. Mark’s Church.

Iconoclasts and Iconophiles

 

6.00
Unit II: 
Romanesque period

Romanesque Art: Sculpture, Painting, Architecture: St. Remi Church, Reims (1049) France, Notre-Dame, Paray-le-Monial (1090) France, The Cathedral of Saint Lazarus of Autun

 

6.00
Unit III: 
Gothic Period

Gothic Architecture: Architect Abbot Suger, General characteristics and components of Churches and Cathedral (Stained glass windows, Choir, Pulpits, Altarpieces)

Gothic Sculptures– Jamb Statues of Chartres Cathedral, Death of Virgin in Strasbourg Cathedral, Annunciation and Visitation in Reims Cathedral, The Virgin of Paris Notre- Dame, The Kiss of Judas and Crucifixion in Naumburg Cathedral, The Pieta

Gothic paintings

 

6.00
Unit IV: 
Early Renaissance Period

The Early Renaissance artists and their works

 

6.00
Unit V: 
High Renaissance Period

The High Renaissance: Painters, Sculptors, Architects and their works

 

Essential Readings: 
  1. Janson's History of Art : The Penelope J.E. Davies, Walter B. Denny Western Tradition.
  2. Art: A World History : Elke Linda Buchholz, Susanne Kaeppele
  3. The Renaissance: A Very Short Introduction : Jerry Brotton
  4. Art of Renaissance Florence : Scott Nethersole
  5. The Story of Art :Cambrich,E.H.
  6. Herbert Read, A concise history of modern painting, Thames & Hudson, 1967 reprint
  7. H.H. Arnason, A History of Modern Art, Thames & Hudson, 2001 Revised reprint
  8. David Britt, Modern Art, Thames & Hudson, 1989 reprint
  9. Douglas Cooper, The Cubist Epoch, Phaidon & Los Angeles County Museum, 1971
  10. John Golding, Cubism — a history and analysis (1907 – 1914), Faber & Faber, 1968 reprint
  11. John Elderfield, The “Wild Beasts”: Fauvism and its affinities, MOMA, 1976
  12. Pontus Hulton, Futurism & Futurisms, Thames & Hudson, 1987
  13. Renata Negri, Matisse & the Fauves, Lamplight Publishing Inc., 1975
  14. Pierre Schneider, Matisse, Thames & Hudson, 1984
  15. William S. Rubin, Dada, Surrealism & their heritage, MOMA, 1968
  16. Gaetan Picon, Surrealism 1919-1939, Skira, 1977
  17. John Elderfield, The cut-outs of Henri Matisse, Thames & Hudson, 1978
  18. Norbert Lynton, Klee, Hamlyn, 1975
  19. Frank Whitford, Kandinsky, Paul Hamlyn, 1987
  20. Piet Mondrian 1872-1944, (Centennial exhibition catalogue), Solomon R. Guggenheim Museum, 1971
  21. Albert E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, Phaidon Press, 1974/78
  22. Mary L. Leukoff, Rodin in his time, Thames & Hudson & Los Angeles County Museum, 1994 Franco Russoli (intro), Henry Moore: Sculpture, EditionesPoligrafa, 1981

 

Suggested Readings:

  1. JOA - Journal of Arts
  2. ShodhKosh: Journal of Visual and Performing Arts
  3. Atishay Kalit- A Bilingual Research Journal of Fine Arts, Culture and Humanities

 

Academic Year: