LIVE MODEL STUDY (Practical)

Paper Code: 
VAS(P) 423
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

Course Objectives:

The course will enable the students to:

  1. Construct a proportionate 3D replica of a live model
  2. Replicate not only features but also expressions of the model.
  3. Analysis and demonstrates technical details and measurements. 

COURSE OUTCOMES:

Course

 

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

VAS(P) 423

Live Model Study (Practical)

 

The students will -

CO86: Exemplify advanced level skills of sculpting from the live model which includes deep observation and keen examination of things through measurement, contour, massing, volume and rendering.

CO87:  Use a model to self-learn anatomy and gestures of human form to patch the gaps of knowledge they might be facing in anatomy in their creative works.

CO88:  Adapt to various complexities of converting clay models into refined sculptures in permanent mediums using casting and mold making techniques to revise the process of executing a figurative form in permanent medium.

CO89: Generate a deeper understanding of each individual feature of a portrait, i.e., eyes, nose, lips etc with respect to the given model to be able to replicate the character of given model.

CO90: Experiment with different facial features, bone structures, male and female models so as to get well equipped with every type of face structure.

CO91: Simulate various intricacies of a human form like Imperfections, wrinkles, excess fat, etc to be able to add that in their individual works later.

CO92: Facilitate measurements and proportions by scaling up and scaling down the portrait to gain confidence in executing life study of every size.

Approach in teaching:

Interactive Lectures, Discussion on composition subjects, Tutorials, Videos, Demonstration, Reading assignments.

 

Learning activities for the students:

Sketching, lay outing of portrait study, Self-learning assignments, Effective questions, presentation, Giving tasks, Field practical, handling of tools, machines, and casting and molding equipment.

Semester end examinations, Continuous Assessment Test, Sketching, layouts Viva-Voice on display of artworks, Continuous Assessment Test, Quizzes, Solving problems in tutorials, Assignments, Presentation, Individual and regular submission.

 

COURSE CONTENT:

Study from live model in clay and casting in any medium (plaster/ cement/ fiber/ metal/ scrape)

 

SUBMISSIONS:      2 works in half-life size

References: 

Suggested Text Books/Suggested Reference Books:

  • John Reyness – Figure Drawing and Anatomy for The Artist
  • Peck Stephen Rogers, Atlas of Human Anatomy for the Artist,
  • LanteriEdouard, Modelling and Sculpting the Human Figure
  • Flynn Tom, The body in Sculpture, The Everyman art Library,1998, Calmann and King Ltd, London
  • Perard Victor, Anatomy and Drawing, 2011, Grace Prakashan, Mumbai, India
  • Diana Constance – Life Drawing Class

E – Resources

Academic Year: