Live Model Study (Practical)

Paper Code: 
24VAS(P)323
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to construct a proportionate 3D replica of a live model, paying close attention to the anatomical details of the human form. Recognize and understand the intricacies of bone structure and muscle build-up to develop a deeper comprehension of individual features. This practice enhances the ability to accurately replicate the nuances of the human body.

 

Course Outcomes: 

Course

Learning Outcome

(at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

24VAS(P)323

 

Live Model Study

(Practical)

 

CO57: Create sketches to conceptualize armature and grasp fundamentals of three-dimensional construction by dramatizing live model attributes.

 

CO58: Create a portfolio highlighting observational skills in clay modeling of figures, with a focus on facial features and character portrayal. Understand muscle and bone structures for accurate replication of poses. Master mold-making techniques for casting selected works in permanent mediums.

 

CO59: Create a life study showcasing an understanding of anatomical proportions. Focus on detailing the structure and character of the head, studying facial features for resemblance.

 

CO60: Defend the understanding of life study on the skill set developed and

establish herself as a portrait artist.

 

CO61: Contribute effectively in course-specific interaction

Approach in teaching:

Interactive Lectures, Discussion on composition subjects, Tutorials, Videos, Demonstration,

 

Learning activities for the students:

Sketching, lay outing of portrait study, Self-learning assignments, Effective questions, presentation, Giving tasks, Field practical, handling of tools, machines, and casting and molding equipment.

Layouts and Sketches, Continuous Assessment Test, Semester End Examinations, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

 

COURSE CONTENT:

Study from live model in clay and casting in any medium (plaster/ cement/ fiber/ metal/ scrape)

 

SUBMISSIONS: 2 works in half-life size

Essential Readings: 
  1. John Reyness, Figure Drawing and Anatomy for The Artist, Random House Value Publishing
  2. Peck Stephen Rogers, Atlas of Human Anatomy for the Artist, Oxford University Press
  3. Lanteri Edouard, Modelling and Sculpting the Human Figure, Dover Publication Inc.

 

Suggested Readings:

  1. Flynn Tom, The body in Sculpture, The Everyman art Library,1998, Calmann and King Ltd, London
  2. Perard Victor, Anatomy and Drawing, 2011, Grace Prakashan, Mumbai, India
  3.  Diana Constance, Life Drawing Class, Century

 

Academic Year: