Portrait (Practical)

Paper Code: 
24VAG423
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to develop knowledge and skills in making portraits carries the element of composition and use of different textures, lines, mediums and tools for effective representation of a work of art. Experimental work in various media and diverse conceptual modes of creation in portrait.

 

 

 

Course Outcomes: 

Course

Learning Outcomes (at course level)

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

 

 

 

 

24VAG423

 

 

 

 

 

 

 

 

 

 

 

Portrait (Practical)

CO80: Develop and plan in making portrait sketches in printmaking. Students will strengthen their character in portrait mode.

 

CO81: Inculcate what type of tools and printing technique is used in making portraits more attractive, abstract and more impactful.

 

CO82: Construct and justify the ways in making Experimental work in various media and diverse conceptual modes of creation in portrait.

CO83: Contribute effectively in course- specific interaction

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration

 

Learning activities for the students: Self-learning assignments, Effective questions, presentation, Giving tasks.

Layouts & Sketches, Continuous Assessment Test, Semester End Examinations, Daily Assignments, Observation, Student Teacher Interaction and Final Submissions

COURSE CONTENT:

A student has to prepare portrait based composition in any technique of print making.

Submissions: 4 Portrait based compositions

Essential Readings: 
  1. Bamber Gascoigne, how to Identify Prints: A complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet Paperback, 25 May 2004
  2. Adhemer, Jean Graphic Art of 18th Century.
  3. Sattler, Oliver Modern Japanese Prints
  4. Hind, A.M, An Introduction to a History of Woodcut
  5. Mueller, H.A WoodCut and Wood Engravings and How I make them

Suggested Reading:

  1. Bernard, David, The Collograph Print
  2. Arthur Hind, A History of Etching and Engraving
  3. Heller, Jules, Printmaking Today
  4. Adhemer, Jean Graphic Art of 18th Century.
  5. A Fern, A Half Century of American Printmaking
  6. UmetaroAzechi, Japanese Woodblock printing.

 

References: 
  1. https://www.tate.org.uk/art/art-terms/m/mezzotint
  2. https://www.google.com/search?q=Mezzotint+tools&sa=X&ved=2ahUKEwiHk6Sy1 vb-AhWG- jgGHZTCugQ1QJ6BAhOEAE&biw=1024&bih=497&dpr=1.88#fpstate=ive&vld=ci d:a80ae10b,vid:rpbt6tjjjZE
  3. https://www.dailyartmagazine.com/seven-indian-printmakers/
  4. https://journals.indexcopernicus.com/api/file/viewByFileId/288083.pdf
  5. https://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1159&conte...

 

Academic Year: 
2024-2025
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