PRINTMAKING (Practical)

Paper Code: 
VAG 425
Credits: 
6
Contact Hours: 
90.00
Max. Marks: 
100.00
Objective: 

COURSE OBJECTIVES

   The course will enable the students to:

  1. Analyse properties and characteristic of viscosity.
  2. Construct a prints using viscosity technique
  3. Develop presentation and display art work skills.

COURSE OUTCOMES

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

VAG 425

 

 

 

 

Printmaking

(Practical)

The students will –

CO100: Understand the viscosity process (technique and methods) for making matrix.

CO101: Learn consistency of ink and handling the roller for viscosity technique.

CO102: Execute and apply the advanced printing method of viscosity in the development of an individual style.

CO103: Implement the current scenario in contemporary art and apply their style.

CO104: Apply presentation skill for exhibiting the final works in the gallery, studio and more.

CO105:   Produced professionals’ prints by using printing techniques and methods for commercials as well as artistic purpose.

Approach in teaching:

Interactive Lectures, Discussion, Tutorials, Reading assignments, Demonstration.

 

Learning activities for the students:

Self-learning assignments, Effective questions, presentation, Giving tasks.

 

Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects, regular submission.

COURSE CONTENT:

The student will choose any one of the following as a compulsory technique which they will continue in all the four semesters. Besides this they will have to choose one more technique as subsidiary, which they can change in each semester if they want.

  • Relief printing (wood and lino)
  • Lithography
  • Intaglio (etching, viscosity)
  • Serigraphy

Submission: min. 8 works (not less than 12”x 18”)

 

References: 

Suggested Text Books/Suggested Reference Books:

  • R. Cooper. J. Cooper, Masterpieces of Chinese Art Hardcover ,1 Sep 1998
  • The Print in the Western World: An Introduction History
  • Far Eastern Art by H. Hetl-Kuntze
  • Art: A World History: Elke Linda Buchholz, Susanne Kaeppele
  • Printmaking: a contemporary perspectiv Paul Coldwell London, UK: Black Dog Pub., 2010
  • The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  • Reddy, Krishna, New ways of color printmaking: signification of materials ,5 Feb 2009
  • Biegeleisen and Cohn, Silk Screen Techniques
  •  Bernard, David, The Calligraphy Print

E-Resources:

 

Academic Year: 
2023-2024
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