Relief Printmaking (Black & White) (Practical)

Paper Code: 
24VGP232
Credits: 
4
Contact Hours: 
60.00
Max. Marks: 
100.00
Objective: 

The course will enable the students to develop perspective on global trends of Printmaking. Constructing skills of relief printmaking in techniques like linoleum block, cardboard relief or woodcut.

 

 

Course Outcomes: 

Course

Course Outcomes

Learning and teaching strategies

Assessment Strategies

Course Code

Course Title

 

 

 

 

 

 

 

 

 

 

 

24VGP

232

 

 

 

 

 

 

 

 

 

Relief Printmakin g (Black & White) (Practical)

CO7: Develop daily sketches and layouts for the final composition in black and white by analysing the global trend in printmaking.

 

CO8: Create submission which show the technical know-how of relief printmaking medium and the balance of negative and positive space in the work of art.

 

CO9: Prepare artworks representing their skills and observation of lights and shadows.

 

CO10: Argue her attained skills of printmaking while observing and working in the class.

 

CO11: Contribute effectively in course-specific interaction.

Approach in teaching: Interactive Lectures, Discussion, Tutorials, Assignments, Brainstorming, Demonstration

 

Learning activities for the students: Self- Learning Assignments, Giving Tasks, Visualization, Experimenting, sketching to Learn, Free Exploration,

Focused Exploration

One Annual Practice Test, Daily, Layouts, Assignments, Observation, Student Teacher Interaction, Display and Final Submissions

COURSE CONTENT:

Lino Cut

Submission: Min. 3works (not less than 10”x 12”)

 

Essential Readings: 
  1. The Printmaking Ideas Book Paperback – Illustrated, August 20, 2019
  2. Lalit Kala Academy, Graphic Art in India since 1850
  3. UmetaroAzechi, Japanese Woodblock printing.
  4. Wonder Day Experiments in Wood Cut.

Suggested Readings:

  1. Margaret Timmers, Impression of the 20th century: Fine Art Prints from the V&A Collection ,1 October 2001
  2. Goyal Amita raj, historical and technical development & innovative practices of printmaking in India book

 

Academic Year: